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dc.contributor.authorMehnaz, Aliza
dc.date.accessioned2014-04-09T06:34:50Z
dc.date.available2014-04-09T06:34:50Z
dc.date.copyright2013
dc.date.issued2013-08
dc.identifier.otherID 08108019
dc.identifier.urihttp://hdl.handle.net/10361/3172
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Architecture in Architecture, 2013.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 90).
dc.description.abstractDhamrai has been the abode of creativity for a long time. It has a rich history of artistic creativity tracing back to the Pala Dynasty (800-1100AD), during which time both early Buddhist and Hindu settlements once flourished. Some of the most beautiful crafts like metal casting, pottery, terracotta work etc have been flourished in this region for decades. But due to mass production in factories, small scale exposure of the crafts and many other reasons these crafts are in jeopardy and so are the artisans. The urge to restore the glory of the tradition of this culture and provide an exposure to the traditional art and artisans with the help of contemporary architectural intervention laid the basis of the hypothesis of this project.en_US
dc.description.statementofresponsibilityAliza Mehnaz
dc.format.extent91 pages
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis reports are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectArchitectureen_US
dc.titleART_tery: an art for the artisansen_US
dc.title.alternativeCraft interpretation centre, Bangshi reverbank, Dhamraien_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of Architecture, BRAC University
dc.description.degreeB. Architecture


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