Digital nations and fragmented identities: women, nationalism and online politics in A Burning and Americanah
| bracu.type.group | Student Works | |
| dc.contributor.advisor | Tasnim, Sumaiya | |
| dc.contributor.author | Roy, Monisha | |
| dc.contributor.department | Department of English and Humanities | |
| dc.date.accessioned | 2026-05-07T05:31:19Z | |
| dc.date.available | 2026-05-07T05:31:19Z | |
| dc.date.copyright | 2026 | |
| dc.date.issued | 2026-01 | |
| dc.description | Cataloged from PDF version of thesis. | |
| dc.description | Includes bibliographical references (pages 46-49). | |
| dc.description | This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, 2026. | en_US |
| dc.description.abstract | This paper analyzes how nationalist media and digital politics shape women's voice and identity in Megha Majumder’s A Burning (2020) and Chimamanda’s Ngozi Adechie’s Americanah (2013). Using close textual analysis, this paper investigates how gender, race, class, religion and nationalism influence whose voice is heard or silenced within digital media. Drawing on postcolonial feminism, nationalism theory and digital media studies, this paper explores that digital platforms are not neutral spaces to express freely, rather it’s a site of power, surveillance and public judgements. Through the character of Jivan and Ifemelu, this paper argues how digital space can enable and restrict women’s agency. This digital space is not neither neutral nor equally accessible, rather it is a space that remains unequal, constructed and deeply structured by power. Ultimately, this paper offers a critical analysis of how contemporary literature exposes the limits of digital freedom and challenges the dominant nature of it, regarding voice, belonging and empowerment in the digital age. | en_US |
| dc.description.degree | Master of Arts in English | |
| dc.description.statementofresponsibility | Monisha Roy | |
| dc.format.extent | 49 pages | |
| dc.identifier.other | ID 23263001 | |
| dc.identifier.uri | http://hdl.handle.net/10361/28208 | |
| dc.language.iso | en | en_US |
| dc.publisher | BRAC University | en_US |
| dc.rights | BRAC University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. | |
| dc.subject | Nationalism | en_US |
| dc.subject | Digital-media | en_US |
| dc.subject | Postcolonial-feminism | en_US |
| dc.subject | Digital colonialism | en_US |
| dc.subject | Women’s agency | en_US |
| dc.subject.lcsh | Adichie, Chimamanda Ngozi, 1977---Criticism and interpretation. | |
| dc.subject.lcsh | South Asian literature--History and criticism. | |
| dc.subject.lcsh | Nationalism in literature. | |
| dc.subject.lcsh | Women in literature. | |
| dc.subject.lcsh | Postcolonialism in literature. | |
| dc.title | Digital nations and fragmented identities: women, nationalism and online politics in A Burning and Americanah | en_US |
| dc.type | Thesis | en_US |