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Immigrants in a multicultural and postmodern world: multiculturalism in Zadie Smith’s White Teeth and The Autograph Man

bracu.degree.levelPostgraduate
bracu.type.groupStudent Works
datacite.rightsOpen Access
dc.contributor.advisorMowtushi, Mahruba T
dc.contributor.authorDrishti, Maisha Tasneem
dc.contributor.departmentDepartment of English and Humanities
dc.date.accessioned2022-01-12T08:10:21Z
dc.date.available2022-01-12T08:10:21Z
dc.date.copyright2021
dc.date.issued2021-09
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (pages 41-43).
dc.descriptionThis thesis report is submitted in partial fulfilment of the requirements for the degree of Masters of Arts in Teaching to Speakers of Other Languages, 2021.en_US
dc.description.abstractIn sociology, multiculturalism pertains to the coexistence of diverse ethnic groups within a community. On the other hand, in political science multiculturalism refers to the state’s ability to deal with different ethnic communities. Often a state creates political models to deal with the diverse cultural communities interfering with the language, religion, occupation, education and lifestyle. Many writers have included the multicultural experiences of immigrants in their novels and poems. Zadie Smith’s novels, White Teeth and The Autograph Man depict characters from different cultural backgrounds struggling to co-exist in multicultural Britain. The study of multiculturalism connects to certain postmodern sensibilities. These sensibilities acknowledge the heterogeneous nature of human existence. Multiculturalism in the work of Smith needs analysis through the postmodern lens. Her writings express cultural dilemmas and simultaneously hint at the negotiation between different cultures.en_US
dc.description.degreeMaster of Arts in English
dc.description.statementofresponsibilityMaisha Tasneem Drishti
dc.format.extent43 pages
dc.identifier.otherID 19263010
dc.identifier.urihttp://hdl.handle.net/10361/15881
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBrac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectAcculturationen_US
dc.subjectEthnicityen_US
dc.subjectRaceen_US
dc.subjectZadie Smithen_US
dc.subjectMicro-narrativesen_US
dc.subjectAssimilationen_US
dc.subject.lcshMulticulturalism
dc.subject.lcshCulture conflict
dc.titleImmigrants in a multicultural and postmodern world: multiculturalism in Zadie Smith’s White Teeth and The Autograph Manen_US
dc.typeThesisen_US

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