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Queer wounds and the post-colonial condition: exploring trauma, identity, and resistance in a globalized world

bracu.degree.levelPostgraduate
bracu.type.groupStudent Works
datacite.rightsOpen Access
dc.contributor.advisorHuq, Sabiha
dc.contributor.authorTrisha, Nadia Akter
dc.contributor.departmentDepartment of English and Humanities
dc.date.accessioned2026-05-07T04:35:26Z
dc.date.available2026-05-07T04:35:26Z
dc.date.copyright2026
dc.date.issued2026-01
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (pages 59-60).
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, 2026.en_US
dc.description.abstractThis research study explains the themes of belonging, identity, queer feminist resistance and nationalism in a globalized world in The Ministry of Utmost Happiness by Arundhati Roy. The novel presents a wide range of characters who live on the margins of Indian society. Like these characters there are many people facing this situation from different countries of the world. Anjum is a transgender Muslim woman and Tilo is a political woman. Their lives are shaped by violence, exclusion, and resistance. Roy raises question of the idea of fixed national identity and exposes the divisions that exist in a country. Through the characters personal stories, which is formed by religion, caste, gender or sexuality, and politics shows various difficulties. This research paper uses queer feminist theory, trauma theory, and post-colonial theory to examine how the novel portrays the struggles of those who do not fit into the traditional society. The study shows that Roy connects personal identity with state violence. Anjum’s story challenges traditional gender roles, societal norms. It also highlights how queer individuals rejected from both nationalist and feminist spaces. Tilo’s journey reflects the trauma and identity crisis which is caused by political conflict, particularly in Kashmir. This study also draws comparisons with other literary works, including The Shadow Lines by Amitav Ghosh, Home Fire by Kamila Shamsie, Orlando by Virginia Woolf, Imagined Communities by Benedict Anderson and Kamala Das’s poem “The Dance of the Eunuchs”. These literary texts help to expand the understanding of nationalism and personal identity within a post-colonial context. These texts help us to rethink about the modern globalized world. By analyzing Roy’s novel, this research paper shows that literature can unveil many unsaid and hidden truths about society and power. It shows many unfair occurrences. It can unveil the bitter histories. The novel also suggests that healing is possible through the courage to challenge racial power. It emphasizes the importance of empathy, justice, and multi-cultural communities offering a powerful critique of rigid national and social structures in contemporary India. It also highlights the how the renowned authors and critics supports and objects about her point of view.en_US
dc.description.degreeMaster of Arts in English
dc.description.statementofresponsibilityNadia Akter Trisha
dc.format.extent60 pages
dc.identifier.otherID 24163015
dc.identifier.urihttp://hdl.handle.net/10361/28206
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectIdentityen_US
dc.subjectQueer feminist resistanceen_US
dc.subjectArundhati Royen_US
dc.subjectTransgender muslim womanen_US
dc.subjectPolitical womanen_US
dc.subject.lcshPostcolonialism in literature.
dc.subject.lcshPostcolonialism.
dc.subject.lcshInterpersonal relations--Fiction.
dc.subject.lcshSelf-realization--Fiction.
dc.subject.lcshBritish--India--Fiction.
dc.titleQueer wounds and the post-colonial condition: exploring trauma, identity, and resistance in a globalized worlden_US
dc.typeThesisen_US

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