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Magic realism: Mingling of fantasy and reality, tragedy and comedy in Gabriel Garcia Marquez's one hundred years of solitude and Salman Rushdie's Midnight's children

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dc.contributor.author Sultana, Salma
dc.date.accessioned 2010-09-22T04:58:26Z
dc.date.available 2010-09-22T04:58:26Z
dc.date.issued 2009-08
dc.identifier.other ID 05303015
dc.identifier.uri http://hdl.handle.net/10361/178
dc.description This thesis is submitted in a partial fulfillment of the requirement for the degree of Bachelor of Arts in English. en_US
dc.description.abstract Stories are always fascinating to every walk of life, but stories with magical or fantastical elements with of fairies or ghosts always amuse people. However, being a student of literature, I got an opportunity to look beyond this contemporary vision of magic realism. In postmodern literature, the attribution of magic realism is used to express the historical, cultural and ideological domination of the postcolonial regimes by its dictators. Therefore, in this dissertation I will discuss how all the magical elements are used by different postcolonial writers such as Marquez and Rushdie to express their postcolonial position in conjunction with the postmodern condition en_US
dc.language.iso en en_US
dc.publisher Department of English and Humanities, BRAC University en_US
dc.title Magic realism: Mingling of fantasy and reality, tragedy and comedy in Gabriel Garcia Marquez's one hundred years of solitude and Salman Rushdie's Midnight's children en_US
dc.type Thesis en_US


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