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dc.contributor.authorRafiuddin, Zarin
dc.date.accessioned2015-02-07T05:24:45Z
dc.date.available2015-02-07T05:24:45Z
dc.date.copyright2014
dc.date.issued2014-12
dc.identifier.otherID 12363007
dc.identifier.urihttp://hdl.handle.net/10361/3986
dc.descriptionThis thesis is submitted in a partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2014.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 54).
dc.description.abstract“Multiple Narratives and Postmodernism Techniques: A study of Jorge Luis Borges and Thomas Pynchon” is a study of certain themes prevalent in both South and North America prevalent in some selected texts of these two authors. The attributes of identity, spirituality, sexuality, personhood and fusion with dichotomies is the main crux of this thesis. The selected texts are Borges’ The Aleph and The Book of Sand with Pynchon’s Gravity’s Rainbow and The Crying of Lot 49. Despite Pynchon being a postmodernist writer and Borges associated with magic realism the thesis explores similar avenues of contact between the two disciplines and shows a more elaborated expanse of how we perceive and retain self/selves.en_US
dc.description.statementofresponsibilityZarin Rafiuddin
dc.format.extent56 pages
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis reports are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectEnglish and humanitiesen_US
dc.titleMultiple Narratives and Postmodern Techniques: A Study of Jorge Luis Borges and Thomas Pynchonen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English and Humanities, BRAC University
dc.description.degreeThis thesis is submitted in a partial fulfillment of the requirements for the degree of Masters of Arts in English, 2014.


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