Saba, AnikaSarah, Rumnaz Binte Islam2020-01-222020-01-2220192019-08ID 17303021http://hdl.handle.net/10361/28414668Cataloged from PDF version of thesis.Includes bibliographical references (pages 33-34).This thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2019.Stephen King’s novels Misery and Pet Sematary reflect upon human psychology that has been important to the demonstration of conscious and unconscious activities. In other words, Hegel’s phenomenology of consciousness and its processes are justified with the actions of the protagonists of the stories, Paul Sheldon and Dr. Louis Creed. At the same time, their unconscious processes are traced to justify the way in which unknown ideas penetrate into consciousness, known as preconscious thoughts. The concept of the unconscious as examined by Sigmund Freud and Jacques Lacan have supported Hegel’s model of consciousness. So, this paper derives the connection between classical psychoanalysis and phenomenology to popular horror fiction and delves into a realistic aspect of the human psychology in the fictional plot and setting of the selected texts.34 pagesenBrac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.MiseryStephen KingPet SemataryHuman psychologyKing, Stephen, 1947---Misery.King, Stephen, 1947---Pet Sematary.A phenomenological interpretation of consciousness and psychoanalytic illustration of unconscious motives in Stephen King’s Misery and Pet SemataryThesis