Identity, self-realization and the embodiment of womanhood in Henrik Ibsen’s Nora Helmer and Hedda Gabler

Abstract

Henrik Ibsen wrote about 19th century sensitive, taboo topics. His work addresses aspects like corruption, psychological struggles, women’s rights, repressive social beliefs and such. Although Ibsen was never a self-proclaimed feminist, many of his plays inclduding The Doll’s House (1879) and Hedda Gabler (1980) have been considered to be significant additions to feminist literature. His complex female characters have been criticised heavily. While some argue that Nora Helmer and Hedda Gabler are femenist heroines, some argue otherwise. The plays’ anti-femienist criticism contributes to Ibsen’s humanist philosophy. This paper will address secondary journals and other critics in analysing Nora and Hedda’s impact in promoting women’s rights. Looking at the contrasting themes of womanhood and identity, how these women navigate through a man’s world to find their unique selves and their success in doing so, this paper will aim to answer if the characters are successful in advocating for women’s individuality.