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The reflection of racism on black identity formation: an comparative analysis between The Bluest Eye and I Know Why the Caged Bird Sings

bracu.degree.levelUndergraduate
bracu.type.groupStudent Works
datacite.rightsOpen Access
dc.contributor.advisorKaiissar, Jahin
dc.contributor.authorHossain, Moumi
dc.contributor.departmentDepartment of English and Humanities
dc.date.accessioned2026-04-08T03:56:44Z
dc.date.available2026-04-08T03:56:44Z
dc.date.copyright2025
dc.date.issued3/8/2025
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (pages 61-63).
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2025.en_US
dc.description.abstractThis paper will explore the struggle of the protagonists from The Bluest Eye and I Know Why The Caged Bird Sings against racism, focusing on how a racially biased society harms their development. Both protagonists, Pecola and Maya, are the young Black women whose lives revolve around internalized racism. A child’s development is significantly influenced by their psyche, yet in a racially prejudiced society, the intense discrimination faced by Black children can severely damage their psyche, leading them to lose their sense of self. Hence, they suffer from an identity crisis. However, there is a way to reclaim identity, and that is decolonization. Therefore, the paper will examine the views of Frantz Fanon on Black identity formation, specifically in relation to The Bluest Eye and I Know Why the Caged Bird Sings. In The Bluest Eye, the devastating nature of racism results in the downfall of Pecola and her Breedlove family, but Maya from I Know Why the Caged Bird Sings frees herself from the cage created by the White mainstream society. Once she knows how the racial entrapment works, she does not allow herself to be in the cage. She flies away like a free bird. She liberates herself from all oppression. By juxtaposing these two protagonists, this paper would like to draw attention to the process of identity formation.en_US
dc.description.degreeBachelor of Arts in English
dc.description.statementofresponsibilityMoumi Hossain
dc.format.extent64 pages
dc.identifier.otherID 20303009
dc.identifier.urihttp://hdl.handle.net/10361/27806
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectI Know Why The Caged Bird Singsen_US
dc.subjectThe Bluest Eyeen_US
dc.subjectToni Morrisonen_US
dc.subjectMaya Angelouen_US
dc.subjectBlack identityen_US
dc.subjectWhite gazeen_US
dc.subjectInternalized inferiorityen_US
dc.subjectlactification in literatureen_US
dc.subject.lcshAngelou, Maya. I know why the caged bird sings.
dc.subject.lcshMorrison, Toni. Bluest eye.
dc.subject.lcshRacism in literature--History and criticism.
dc.subject.lcshAfrican Americans in literature--History and criticism.
dc.subject.lcshBlack people in literature--History and criticism.
dc.subject.lcshComparative literature.
dc.titleThe reflection of racism on black identity formation: an comparative analysis between The Bluest Eye and I Know Why the Caged Bird Singsen_US
dc.typeThesisen_US

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