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Exploring the works of contemporary writers inspired by Toni Morrison through the lens of intersectionality: slavery, trauma and dehumanisation

bracu.degree.levelUndergraduate
bracu.type.groupStudent Works
datacite.rightsOpen Access
dc.contributor.advisorNoman, Abu Sayeed Mohammad
dc.contributor.authorAkter, Monira
dc.contributor.departmentDepartment of English and Humanities
dc.date.accessioned2025-08-10T10:05:11Z
dc.date.available2025-08-10T10:05:11Z
dc.date.copyright2025
dc.date.issued2025-07
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (pages 87-91).
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2025.en_US
dc.description.abstractAfrican American writers have always given importance towards their historical background and how black women were dehumanised, objectified or tried to resist the violence against them. African Americans and slavery have been connected since the 17th century. The objective of this thesis is to provide the importance of contemporary African American writers and the inspiration taken from the novels of Toni Morrison to emphasise the relevance of History, Trauma and slavery through intersectionality. The perspectives of Kimberle Crenshaw, Helma Lutz, and Bell Hooks, through intersectionality, help to overcome the research gap. This elaborates on black women's experiences within the timeline from the 17th century to the 21st century, emphasising black women's neglect. The thesis explores the female characters Pecola and Beloved of Toni Morrison's work with contemporary protagonists to see black women's lives. The character Annis from Let Us Descend shows the journey of a black woman's survival and want for freedom. Similarly, Cora from The Underground Railroad fights for survival as a slave. Moreover, Modern Slavery gives importance to the existence of Black women's objectification. The research was conducted through qualitative methods, primarily using journals and articles from JSTOR and Google Scholar. Hence, African Americans still want to address slavery to show how historically and in the present time, Black women are victims of slavery through intersectionality.en_US
dc.description.degreeBachelor of Arts in English
dc.description.statementofresponsibilityMonira Akter
dc.format.extent98 pages
dc.identifier.otherID 20303017
dc.identifier.urihttp://hdl.handle.net/10361/26527
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectIntersectionalityen_US
dc.subjectToni Morrisonen_US
dc.subjectBlack womenen_US
dc.subjectRacismen_US
dc.subjectOppressionen_US
dc.subjectCultural traumaen_US
dc.subjectModern slaveryen_US
dc.subjectColson Whiteheaden_US
dc.subjectHistorical traumaen_US
dc.subjectJesmyn Warden_US
dc.subjectDehumanisationen_US
dc.subjectAfrican American writersen_US
dc.subject.lcshIntersectionality (Sociology).
dc.subject.lcshSocial classes in literature.
dc.subject.lcshSlavery in literature.
dc.subject.lcshRacism in literature.
dc.titleExploring the works of contemporary writers inspired by Toni Morrison through the lens of intersectionality: slavery, trauma and dehumanisationen_US
dc.typeThesisen_US

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