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Bildungsroman in Charles Dickens’s Great Expectations and James Joyce’s A Portrait of the Artist as a Young Man

bracu.degree.levelUndergraduate
bracu.type.groupStudent Works
datacite.rightsOpen Access
dc.contributor.advisorChowdhury, Rukhsana R.
dc.contributor.authorLata, Afrin Sultana
dc.contributor.departmentDepartment of English and Humanities
dc.date.accessioned2023-01-18T08:34:46Z
dc.date.available2023-01-18T08:34:46Z
dc.date.copyright2021
dc.date.issued2021
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (pages 67-70).
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2021.en_US
dc.description.abstractBildungsroman novels also known as “coming- of- age” novels deal with subjectivity and the relationship between the self and society. A bildungsroman novel mainly conveys the narrative of a person's cognitive development within the perspective of a predetermined social structure. In the narratives, the character's advancement is represented both as an employment to existence and an investigation for reasonable life within the community. Charles Dickens (1812-1870) and James Joyce (1882-1941) have used bildungsroman in their novels, Great Expectations and A Portrait of an Artistas a Young Man, respectively this thesis aims to focus on their different approaches. Since the novels are written in different periods, the style, techniques and writing devices are also different. The main focus of the thesis is to analyse the social as well as the psychological state of the protagonists. The bildungsroman traces the social and psychological reality of the protagonists from childhood to adulthood. The settings, characters and plots in these two novels are centered around society’s middle and lower classes. In Great Expectations, we can see an uneven social class structure, contrast between rural and urban England, immorality of the high class, flaw of the judicial system, uneven educational opportunities and quality of the Victorian era. Pip’s journey of finding himself from childhood to adulthood will critically be analised through the lens of social realism in this thesis. In addition, A portrait of the Artist as a Young Man shows us the view of an Irish Catholic society, where Stephen, in search of his life’s anchor, finally determines to turn away from priesthood towards art. Stephen’s journey of finding himself from childhood to adulthood will be critically analyzed through the lens of psychological realism in this thesis. Therefore, the main focus of this thesis will be to show how the selected bildungsroman novels of Dickens and Joyce use realism and psychological realism to portray the life journey of Pip and Stephen from childhood to adulthood.en_US
dc.description.degreeBachelor of Arts in English
dc.description.statementofresponsibilityAfrin Sultana Lata
dc.format.extent70 Pages
dc.identifier.otherID: 16103022
dc.identifier.urihttp://hdl.handle.net/10361/17756
dc.language.isoen_USen_US
dc.publisherBRAC Universityen_US
dc.rightsBrac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectRealismen_US
dc.subjectSocial realismen_US
dc.subjectPsychological realismen_US
dc.subjectBildungsromanen_US
dc.subjectSelf-realisationen_US
dc.subjectSelf-identityen_US
dc.subject.lcshBildungsromans--History and criticism.
dc.titleBildungsroman in Charles Dickens’s Great Expectations and James Joyce’s A Portrait of the Artist as a Young Manen_US
dc.typeThesisen_US

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