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dc.contributor.advisorAzim, Firdous
dc.contributor.authorKhan, Aniqa
dc.date.accessioned2017-05-24T06:36:43Z
dc.date.available2017-05-24T06:36:43Z
dc.date.copyright2016
dc.date.issued2016-08
dc.identifier.otherID 14363002
dc.identifier.urihttp://hdl.handle.net/10361/8179
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Masters of Arts in English, 2016.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 58-62).
dc.description.abstractThis dissertation will primarily focus on how colonialism created the binaries of the colonizer (Self) and the colonized (Other). The dichotomy, not only did it divide the geographical locations of East and West, or separated racial identities into black or white, but also separates gender into Self and Other. The socially constructed nature of women, their treatment and social roles are at the core of their otherness where they are colonized, both by imperial ideologies and patriarchal domination. My dissertation will focus on the three novels that are concerned with South Africa: Doris Lessing's The Grass is Singing (1950), Nadine Gordimer's Julys People (1981) and J.M. Coetzee's Disgrace (1999).en_US
dc.description.statementofresponsibilityAniqa Khan
dc.format.extent62 pages
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectWhite womenen_US
dc.subjectSouth Africaen_US
dc.titleStudy of the self and other: the white women's struggle of positionality in the heart of South Africaen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English and Humanities, BRAC University
dc.description.degreeM.A. in English


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