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dc.contributor.advisorAzim, Firdaus
dc.contributor.authorKhan, Sadia Ambreen
dc.date.accessioned2016-02-10T13:14:17Z
dc.date.available2016-02-10T13:14:17Z
dc.date.copyright2015
dc.date.issued2015-12
dc.identifier.otherID 14163006
dc.identifier.urihttp://hdl.handle.net/10361/4997
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Masters of Arts in English, 2015.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 68-69).
dc.description.abstract“The Politics of Race, Culture and Gender in Three South Asian Novels: The Grass is Singing, The Lying Days and Disgrace” is a study of the themes of ambivalence, displacement and identity crisis that take place in the three stages of enunciations, according to the theory demonstrated by Homi Bhabha. Under the light of this theory, the thesis focuses on the characters of Doris Lessing‟s The Grass is Singing, Nadine Gordimer‟s The Lying Days and J.M Coetzee‟s Disgrace, who are striving for a sense of self after years of relegation, subjugation and oppression and how they are able to find a voice to for themselves through hybridity.en_US
dc.description.statementofresponsibilitySadia Ambreen Khan
dc.format.extent69 pages
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis reports are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectEnglish and humanitiesen_US
dc.subjectRaceen_US
dc.subjectCulture and genderen_US
dc.titleThe politics of race, culture and gender in three South Asian novels : the grass is singing, the lying days and disgraceen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English and Humanities, BRAC University
dc.description.degreeM.A. in English


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