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dc.contributor.authorRayeesa, Untara
dc.date.accessioned2013-05-07T17:02:36Z
dc.date.available2013-05-07T17:02:36Z
dc.date.copyright2012
dc.date.issued2012-12
dc.identifier.otherID 09203001
dc.identifier.urihttp://hdl.handle.net/10361/2409
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2012.
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 40-41).
dc.description.abstractThe Caribbean quest to conceptualize the modernity inherent in their condition is illustrated in living color by Derek Walcott and Edward K. Brathwaite in their critically acclaimed poetry. In doing so not only do they respond to and defy conventional established tropes and categories but they also evolve new modes of representation uniquely suited to depict the disconnection, dispossession and fragmentation embodied by the Caribbean consciousness. This dissertation attempts to investigate the tenuous modernity depicted in the verses of these poets, and how these depiction transcend not just borders but entire notions of history, identity and selfhood.en_US
dc.description.statementofresponsibilityUntara Rayeesa
dc.format.extent45 pages
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectEnglish and humanities
dc.titleWalcott and Brathwaite: Caribbean modernity and "the detritus of the past"en_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English and Humanities, BRAC University
dc.description.degreeB.A. in English


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