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dc.contributor.advisorAzim, Firdous
dc.contributor.authorSultana, Salma
dc.date.accessioned2010-09-22T04:58:26Z
dc.date.available2010-09-22T04:58:26Z
dc.date.copyright2009
dc.date.issued2009-08
dc.identifier.otherID 05303015
dc.identifier.urihttp://hdl.handle.net/10361/178
dc.descriptionThis thesis is submitted in a partial fulfillment of the requirements for the degree of Bachelor of Arts in English, 2009.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 77-79).
dc.description.abstractStories are always fascinating to every walk of life, but stories with magical or fantastical elements with of fairies or ghosts always amuse people. However, being a student of literature, I got an opportunity to look beyond this contemporary vision of magic realism. In postmodern literature, the attribution of magic realism is used to express the historical, cultural and ideological domination of the postcolonial regimes by its dictators. Therefore, in this dissertation I will discuss how all the magical elements are used by different postcolonial writers such as Marquez and Rushdie to express their postcolonial position in conjunction with the postmodern conditionen_US
dc.description.statementofresponsibilitySalma Sultana
dc.language.isoenen_US
dc.publisherBRAC Universityen_US
dc.rightsBRAC University thesis reports are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectEnglish and humanities
dc.titleMagic realism: Mingling of fantasy and reality, tragedy and comedy in Gabriel Garcia Marquez's one hundred years of solitude and Salman Rushdie's Midnight's childrenen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English and Humanities, BRAC University
dc.description.degreeB.A. in English


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