dc.contributor.advisor | Noman, Abu Sayeed | |
dc.contributor.author | Rai, Lutfia Kamrun | |
dc.date.accessioned | 2022-09-13T06:39:25Z | |
dc.date.available | 2022-09-13T06:39:25Z | |
dc.date.copyright | 2021 | |
dc.date.issued | 2021-05 | |
dc.identifier.other | ID: 18263002 | |
dc.identifier.uri | http://hdl.handle.net/10361/17209 | |
dc.description | This thesis report is submitted in partial fulfillment of the requirements for the degree of Masters of Arts in Teaching to Speakers of Other Languages, 2021. | en_US |
dc.description | Cataloged from PDF version of thesis. | |
dc.description | Includes bibliographical references (pages 58-60). | |
dc.description.abstract | This study determines through visual analysis how Patriarchy and Prejudice has taken over society
and the practice of patriarchal society is presented through Bollywood films. And, how Gender
roles are misconceptualized in films will be discussed in this research. Along with that, how
nationalism behavior of people is getting portrayed in the films will be discussed as well. Being a
typical patriarchal society there exists a stern social structure in which the role of a woman in
society is delineated, this specific role in the social scheme finds its way into the role of women in
cinema as well. Women in India do not enjoy the same status as men because they have always
been exploited by wrong perception and practices. They have been taught to be calm, being
dependent and being tortured which is also seen in Bollywood movies. Besides, nationalism as an
imagined community seems more prominent as most of the nations that we know today, people
who are living in them feel loyal to themselves. However, the practice of class distinction has
always been a major issue in Indian sub-continent as well as a reflection on the Bollywood films.
It comes unknowingly because the society’s structure is being influenced here. The research
identifies the practices of culture in one of the culturally diversified countries; India. | en_US |
dc.description.statementofresponsibility | Lutfia Kamrun Rai | |
dc.format.extent | 60 Pages | |
dc.language.iso | en_US | en_US |
dc.publisher | Brac University | en_US |
dc.rights | Brac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. | |
dc.subject | Cultural Practices | en_US |
dc.subject | Bollywood Films | en_US |
dc.subject | Indian Culture Industry | en_US |
dc.subject.lcsh | Motion picture industry--India. | |
dc.subject.lcsh | Culture in motion pictures. | |
dc.subject.lcsh | Cultural fusion--Southeast Asia. | |
dc.title | Problematizing the cultural practices of Bollywood films: A critical reading of Bollywood films from Indian culture industry | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | Department of English and Humanities, Brac University | |
dc.description.degree | M. in English | |