dc.contributor.advisor | Reza, Mohammad Habib | |
dc.contributor.advisor | Ahmed, Iftekhar | |
dc.contributor.author | Bonotulshi, Doito | |
dc.date.accessioned | 2019-11-12T10:57:49Z | |
dc.date.available | 2019-11-12T10:57:49Z | |
dc.date.copyright | 2017 | |
dc.date.issued | 2017 | |
dc.identifier.other | ID 12208027 | |
dc.identifier.uri | http://hdl.handle.net/10361/12925 | |
dc.description | This thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Architecture, 2017. | en_US |
dc.description | Cataloged from PDF version of thesis. | |
dc.description | Includes bibliographical references (pages 93-94). | |
dc.description.abstract | Dhamrai has been the place of creativity for centuries. It has a rich history of artistic
creativity tracing back to the Pala Dynasty (800-1100AD). During this time both early
Buddhist and Hindu settlements had flourished. Some of the most beautiful crafts like
metal casting, pottery, terracotta work etc. have been flourished in this region for
decades. It had once been a centre for metal crafts where nearly every family used
unique 2000 year old techniques to create the art. Their work ranged from producing
everyday use items like culinary to religious idols of both Buddhism and Hinduism.
However, the current situation is very different from what it had been. Over the past
fifty years, many of the families in Bangladesh who were involved in the metal casting
trade have taken on other work. Currently only 5 families remain in this trade. Instead
of the 30 villages once spread across the Dhamrai-Shimulia region. It has now
decreased to only Dhulivita road in Dhamrai pourashova and its adjacent regions. The
main reasons behind this downfall are: lesser interest of the local Muslim population,
availability of cheaper alternatives such as machine-made aluminum and plastic
products, being expensive and time-consuming due to high dependency on skills,
having very narrow market exposure, lack of proper government support, nonavailability of institutional finance and bureaucratic hassles. This project aims to shed
light on the importance of revival of almost-extinct art form via providing a platform for
the remaining metal artisans while reviving the metal craft and the old structures still
standing along the Dhulivita road. The research methods used to gather information
are semi-structured interviews, surveys and field study as a bottom-up approach is
proposed to get the maximum outcome. The combination of both knowledge and
creativity of this community with the little help of training and awareness can not only
enrich our heritage but also attempt to save the lost art before it disappears completely. | |
dc.description.statementofresponsibility | Doito Bonotulshi | |
dc.format.extent | 94 pages | |
dc.language.iso | en | en_US |
dc.publisher | Brac University | en_US |
dc.rights | Brac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. | |
dc.subject | Heritage | |
dc.subject | Metalcraft | |
dc.subject | Revival | |
dc.subject | Platform | |
dc.subject | Adaptive reuse | |
dc.subject.lcsh | Housing--Bangladesh. | |
dc.title | Chhaanch Nogori mold town: revival of metal craft in Dhamrai, Bangladesh | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | Department of Architecture, Brac University | |
dc.description.degree | B. Architecture | |