Show simple item record

dc.contributor.advisorAlam, S. M. Shamsul
dc.contributor.authorHosna, Asma Ul
dc.date.accessioned2019-06-13T04:48:33Z
dc.date.available2019-06-13T04:48:33Z
dc.date.copyright2019
dc.date.issued2019-05-14
dc.identifier.otherID 18217004
dc.identifier.urihttp://hdl.handle.net/10361/12139
dc.descriptionThis thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Social Science in Anthropology, 2019.en_US
dc.descriptionCataloged from PDF version of thesis.
dc.descriptionIncludes bibliographical references (page 28).
dc.description.abstractNogor Baul who is also known as James, is a very important figure in our country. Through his great contribution he has made a special place in the hearts of the people. He flourished rock music in the context of Bangladeshi music. Which was nearly impossible without him. Fusion music was already existing in Bangladesh but Norgor Baul expended it through his unique expertise and indepth knowledge. He is not a literal baul but his charismatic talent took fusion music to another level by combining classical music with westernized musical form. Modernization was his key element to further proceed. Thus, I eagerly focused on the utilization of fusion music through the scape of Nogor Baul in contemporary Bangladesh. Especially, the way perceived by Nagar Baul in a particular objective will help us to understand the depth of this paper clearly. This paper will further analyze the consequential changes of fusion music in Bangladesh. Also, it was very important to find out people’s preferences over music from different class, structure and ages to interpret this paper in a descriptive way. As, almost 90% of my informants expressed love for the music of Nogor Baul but 55% of the overall informants expressed ignorance towards classic music. Necessary reasons are provided in the further discussion of this paper.en_US
dc.description.statementofresponsibilityAsma Ul Hosna
dc.format.extent28 pages
dc.language.isoenen_US
dc.publisherBrac Universityen_US
dc.rightsBrac University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission.
dc.subjectNogor Baulen_US
dc.subjectMusicen_US
dc.subjectFusion musicen_US
dc.subject.lcshWorld music--Bangladesh.
dc.titleNogor Baul: fusion music in contemporary Bangladeshen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of Economics and Social Sciences, Brac University


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record